Sunday, November 20, 2016

10 INSTRUCTIONAL MEDIA FOR TEACHING ENGLISH

For some people, teaching and learning a foreign language need a lot of patience, energy, time, creativity and competence. The success of the teaching and learning of foreign language skills including English is determined by some factors both linguistic and non linguistic such as the students, the teacher, the methods, material and media or aids used.
The use of teaching media is very important to help students acquire new concepts of, the skills and language competences. There are many kinds of media which can be used by the teachers in the teaching learning process. However, the teacher should be selective when choosing. This paper discusses about Kinds of Instructional Media for Teaching English. This case followed their picture, definition and how to use in English teaching. 
1. CHARTS
A chart is a combination of pictorial, graphic, numerical or vertical material which presents a clear visual summary. Edgar Dale defines charts as, “a visual symbol summarizing or comparing or contrasting or performing other helpful services in explaining subject-matter”. The main function of the chart is always to show relationships such as comparisons, relative amounts, developments, processes, classification and organization.
Here are the benefits of using charts:
1)     Motivates the students
2)     Shows continuity in the process
3)     Shows relationships by means of facts, figures and statistics
4)     Presents matter symbolically
5)     Presents abstract ideas in visual form
6)     Summarizes information
7)     Shows the development of structures
8)     Creates problems and stimulates thinking
9)     Encourages utilization of other media of communication

2. Posters
S.L.Ahulwalia’s: “A poster is a pictorial device designed to attract attention and communicate a story, a fact, an idea, or an image rapidly and clearly.”
Good’s Dictionary of Education: A poster is a “placard, usually pictorial or decorative,
utilizing an emotional appeal to convey a message aimed at reinforcing an attitude or urging a course of action”.
The poster can be defined as a graphic representation of some strong emotional appeal that is carried through a combination of graphic aids like pictures, cartoons lettering and other visual arts on a placard. It aims for conveying the specific message, teaching a particular thing, giving a general idea etc. Posters exert a great influence on the observer.

How to use posters
Posters are very useful in students’ project work. Divide the class into groups and each group can decide what message their post is going to have. The completed posters, together with the students’ other project work, such as reports and maps, can then be displayed around the school.
3. Flashcard
Flashcards are small cards with a picture or symbol on them used both in teaching and
in development work. In the classroom, flashcards are commonly used to teach reading.
A picture, for example, of an elephant may be drawn or stuck on a card and the word
‘elephant’ written underneath it or on a different card. The students are encouraged to
associate the pictures and the words through various ‘look and say’ activities and games,
for example, Kim’s game, Pairs, and so on.
In teaching and development work, flashcards may have pictures symbols drawn or painted on them. They are particularly useful for stimulating discussion in small groups, as well as for sharing information and reminding people of a recommended process with posters, research the local situation and pre-test them.

How to use flashcards
To use flashcards in a classroom situation, such as learning to read show the picture and the word together. Ask students to look at the picture and say the word. Then they look at the word and say it again. After presenting a number of words with pictures that the students already know, ask for volunteers to come out and match pictures and words.
When the students have learnt to read the words, you can divide them into teams and play reading games using the flashcards.

4. Graphs
Graph is defined as a visual representation of numerical data. Graph is fundamentally a tool for expressing number relationships, which is much easier to visualize than can be done if the statement were made only in words and figures. It offers a judicious technique for analyzing, comparing and prophesying of facts which are vital to an intelligent study of a problem.
Uses of Graphs
1.    Awareness: The teacher should be well aware of the method of drawing of graph in a
       neat and accurate manner.
2.    Neatness: The graph should be neat, clean and artistic. It should be of good quality.
3.    Accuracy: The scales and the measurement of the graph should be accurate and intelligible to the students.
4.    Drawing and paper: The graph should be properly drawn. The graph paper should be
       good. The pencil that is used should also be good.
5.    Hints: The hints should be properly explained. The marks on the graph should be such that the students may know them by themselves.
6.    Blackboard: The teacher may draw a graph on the black board.

5. Map
A map is a flat drawing or representation of an area, such as a village, which shows the location of natural and man-made features and resources. A map is drawn or made to be smaller than real life, and is not always to scale.
In development work, a village or community map made by learners or participants in a project can serve a number of purposes. Communities can think about what resources they lack and plan the most suitable place to build new resources, such as a well or a school. Mapping can help outsiders to become more familiar with an area and with the people who live there. The process of making a map can encourage cooperation between people, by jointly assessing their situation and needs. By using and valuing their own knowledge and perceptions, people may feel encouraged to take action to solve their problems. Maps drawn by different groups of people in a community, for example by groups of young and old people, or by people of different ethnic and cultural backgrounds, will reflect differences in their perceptions, priorities and needs. This may have important consequences for the success of a project. If one group includes features that another group excludes, this may reveal inequalities in access to and ownership of resources such as firewood, water, land or institutions, such as schools and shops.
Maps made by students or communities may take several days or weeks to build up, as they gain confidence through the process. Leave any map with the group you have made it with. If you want to keep a copy, make your own or take photographs.
Using and making a map in a classroom can help to teach students about the concept of maps and how to interpret them. It can help the student to reflect on their own surroundings. For example, they might make a map of the health and safety hazards in the school compound, village or town, showing features such as busy roads, blind corners, unprotected water sources, rubbish tips and stagnant ponds where mosquitoes breed. This might be part of a project to protect the environment or to campaign for road safety measures.

6. Slides
Among the various types of materials available still projection, slides and film strips are the foremost visual aids. They are of great value in teaching. Slide Projector popularly known as Magic Lantern, is an optical aid to the process of teaching. It is used for projecting pictures from a transparent slide on a wall or screen. As it is used to project slides, i.e., why it is called a slide projector. It helps in showing the magnified image of the slide. When the figure or illustration is very small and it is required that the whole class should see it clearly, a transparent slid of this small figure is prepared. The slide is placed inverted into the slide carrier part of the magic lantern (slide projector). The slide projector projects its erect image on the well or screen by enlarging its dimension and making the vision more sharp and clear. If he slide or film strip is colored then it would be more attractive. The slide projector is useful for small as well as large groups.
            Now, slides popularly used in the classroom to make learning more interactive. By using power point from Microsoft, teachers can easily create their teaching materials. However, teachers should be aware the condition and subject they teach.
7. Flipchart

A flipchart is a series of sheets of paper, fastened together at the top. When a sheet has been used, it can be ‘flipped’ over the top so that the next sheet can be used.

How to use a flipchart
A flipchart can be used in two ways:
•   With blank sheets of paper or newsprint, which the teacher or trainer writes on during the session
•   As a pre-prepared resource with pictures and or notes.
     To avoid having to write while speaking, you can prepare texts and drawings before the lesson or session.
Each sheet of a flip chart should illustrate one point or message in a lecture, talk or training session. You should turn to the next sheet when moving on to the next point. This helps students and learners to understand and remember information. It also acts as an aid to you, reminding you of the structure of your lesson or presentation Development workers find picture flip charts particularly useful for illustrating important points.
Explanatory or additional notes can be written on the back of the previous page to remind you of what you need to say or to provide information in case you are asked detailed questions. This is particularly helpful if a flip chart is to be mass produced and used by teachers and trainers who have not been involved in its design If you are working with several small groups, you can give each group a blank sheet and a pen. After their discussions, the group can write their conclusions on the sheet. The conclusions of all the groups can then be displayed for everyone to see. Suggestions and ideas from students or trainees can be written blank sheets of a flip chart to enable them to see their ideas, for example in a planning workshop for teachers. The sheets can be taken away and used for future reference to draw up detailed plans or as notes for a written report.

8. Work sheet
A worksheet lists questions or activities for students or trainees to work through. Pre-prepared worksheets can be used successfully with groups with differing abilities or language skills because each person can work at their own pace.
How to use worksheets
Worksheets can be used for homework or a revision programme, or they can include further details to be studied for the next lesson. They can be photocopied.  In development work, worksheets can reinforce or remind trainees about a particular message or technique. Worksheets provide flexibility in the classroom as well as in the workshop, because they can be used individually, in pairs, or in small groups to facilitate teamwork skills.

9. Newsletter
A newsletter is an informal printed report, which is distributed to members of a particular group in order to share information. A newsletter can be useful to promote good public relations, offering evidence that the school, college or other organization is working hard to achieve its targets. To keep a record of newsletters you have made, punch holes in them and store them in a special file. Printing costs can be funded through selling advertising space or asking local businesses to sponsor a page. Careful budget control is necessary. Like pamphlets, newsletters are easier to produce if you know how to use and have access to a computer.
10. Cartoon
A cartoon is a simple picture of an amusing situation; sometimes it is a satirical comment on a serious or topical issue. A strip cartoon is a sequence of framed drawings, which tell a story. Both types are to be found in newspapers, magazines and leaflets. In development situations a cartoon is a method of conveying a specific message. Teacher should consider the appropriateness of cartoons to the level of students.
How to use cartoons
Cartoon pictures can enable people to discuss sensitive issues and so are useful for teaching and training. Listening skills in the language class can be extended and developed using cartoon strips. You can read out a description of something, which needs to be drawn in sequence, each part in a separate frame. Ask the students to listen carefully, while you read the piece two or three times. Then ask them to draw what they have heard. You could provide a template with a number of ready drawn frames for them to fill in. You could do this with two separate groups and ask the students to discuss what they see in the picture. You can then evaluate how well they have understood the piece you read. Cartoon strips can be used to teach sequencing and ordering to students. Find, or draw, a cartoon strip with between three and eight separate frames. Cut out each frame and rearrange them so that they are in the wrong order. Stick them down in the new order and make one copy for each group. Ask them to cut each frame out and put them in the correct order. Before you do this, show the students an example on the chalkboard of pictures in the wrong order and ask them to put them in the correct sequence.
The above exercise can also be used in a workshop or training session, using a topic related to the subject of the workshop or session. As it encourages discussion and team decision-making, it can be introduced as an ice-breaker. The less obvious the order, the more interactive the process will be as each group may suggest different answers. This creates an opportunity for each group to explain their answers and defend their position. 

Monday, November 14, 2016

Translation procedures, strategies and methods

Translation typically has been used to transfer written or spoken SL texts to equivalent written or spoken TL texts. In general, the purpose of translation is to reproduce various kinds of texts—including religious, literary, scientific, and philosophical texts—in another language and thus making them available to wider readers.
If language were just a classification for a set of general or universal concepts, it would be easy to translate from an SL to a TL; furthermore, under the circumstances the process of learning an L2 would be much easier than it actually is. In this regard, Culler (1976) believes that languages are not nomenclatures and the concepts of one language may differ radically from those of another, since each language articulates or organizes the world differently, and languages do not simply name categories; they articulate their own (p.21-2). The conclusion likely to be drawn from what Culler (1976) writes is that one of the troublesome problems of translation is the disparity among languages. The bigger the gap between the SL and the TL, the more difficult the transfer of message from the former to the latter will be.
The difference between an SL and a TL and the variation in their cultures make the process of translating a real challenge. Among the problematic factors involved in translation such as form, meaning, style, proverbs, idioms, etc., the present paper is going to concentrate mainly on the procedures of translating CSCs in general and on the strategies of rendering allusions in particular.

Translation procedures, strategies and methods
The translating procedures, as depicted by Nida (1964) are as follow:
  1. Technical procedures:
    1. analysis of the source and target languages;
    2. a through study of the source language text before making attempts translate it;
    3. Making judgments of the semantic and syntactic approximations. (pp. 241-45)
       
  2. Organizational procedures:
    constant reevaluation of the attempt made; contrasting it with the existing available translations of the same text done by other translators, and checking the text's communicative effectiveness by asking the target language readers to evaluate its accuracy and effectiveness and studying their reactions (pp. 246-47).
Krings (1986:18) defines translation strategy as "translator's potentially conscious plans for solving concrete translation problems in the framework of a concrete translation task," and Seguinot (1989) believes that there are at least three global strategies employed by the translators: (i) translating without interruption for as long as possible; (ii) correcting surface errors immediately; (iii) leaving the monitoring for qualitative or stylistic errors in the text to the revision stage.
Moreover, Loescher (1991:8) defines translation strategy as "a potentially conscious procedure for solving a problem faced in translating a text, or any segment of it." As it is stated in this definition, the notion of consciousness is significant in distinguishing strategies which are used by the learners or translators. In this regard, Cohen (1998:4) asserts that "the element of consciousness is what distinguishes strategies from these processes that are not strategic."
Furthermore, Bell (1998:188) differentiates between global (those dealing with whole texts) and local (those dealing with text segments) strategies and confirms that this distinction results from various kinds of translation problems.
Venuti (1998:240) indicates that translation strategies "involve the basic tasks of choosing the foreign text to be translated and developing a method to translate it." He employs the concepts of domesticating and foreignizing to refer to translation strategies.
Jaaskelainen (1999:71) considers strategy as, "a series of competencies, a set of steps or processes that favor the acquisition, storage, and/or utilization of information." He maintains that strategies are "heuristic and flexible in nature, and their adoption implies a decision influenced by amendments in the translator's objectives."
Taking into account the process and product of translation, Jaaskelainen (2005) divides strategies into two major categories: some strategies relate to what happens to texts, while other strategies relate to what happens in the process.
Product-related strategies, as Jaaskelainen (2005:15) writes, involves the basic tasks of choosing the SL text and developing a method to translate it. However, she maintains that process-related strategies "are a set of (loosely formulated) rules or principles which a translator uses to reach the goals determined by the translating situation" (p.16). Moreover, Jaaskelainen (2005:16) divides this into two types, namely global strategies and local strategies: "global strategies refer to general principles and modes of action and local strategies refer to specific activities in relation to the translator's problem-solving and decision-making."
Newmark (1988b) mentions the difference between translation methods and translation procedures. He writes that, "[w]hile translation methods relate to whole texts, translation procedures are used for sentences and the smaller units of language" (p.81). He goes on to refer to the following methods of translation:
  • Word-for-word translation: in which the SL word order is preserved and the words translated singly by their most common meanings, out of context.
  • Literal translation: in which the SL grammatical constructions are converted to their nearest TL equivalents, but the lexical words are again translated singly, out of context.
  • Faithful translation: it attempts to produce the precise contextual meaning of the original within the constraints of the TL grammatical structures.
  • Semantic translation: which differs from 'faithful translation' only in as far as it must take more account of the aesthetic value of the SL text.
  • Adaptation: which is the freest form of translation, and is used mainly for plays (comedies) and poetry; the themes, characters, plots are usually preserved, the SL culture is converted to the TL culture and the text is rewritten.
  • Free translation: it produces the TL text without the style, form, or content of the original.
  • Idiomatic translation: it reproduces the 'message' of the original but tends to distort nuances of meaning by preferring colloquialisms and idioms where these do not exist in the original.
  • Communicative translation: it attempts to render the exact contextual meaning of the original in such a way that both content and language are readily acceptable and comprehensible to the readership (1988b: 45-47).
Newmark (1991:10-12) writes of a continuum existing between "semantic" and "communicative" translation. Any translation can be "more, or less semantic—more, or less, communicative—even a particular section or sentence can be treated more communicatively or less semantically." Both seek an "equivalent effect." Zhongying (1994: 97), who prefers literal translation to free translation, writes that, "[i]n China, it is agreed by many that one should translate literally, if possible, or appeal to free translation."
In order to clarify the distinction between procedure and strategy, the forthcoming section is allotted to discussing the procedures of translating culture-specific terms, and strategies for rendering allusions will be explained in detail.

Procedures of translating culture-specific concepts (CSCs)
Graedler (2000:3) puts forth some procedures of translating CSCs:
  1. Making up a new word.
  2. Explaining the meaning of the SL expression in lieu of translating it.
  3. Preserving the SL term intact.
  4. Opting for a word in the TL which seems similar to or has the same "relevance" as the SL term.
Defining culture-bound terms (CBTs) as the terms which "refer to concepts, institutions and personnel which are specific to the SL culture" (p.2), Harvey (2000:2-6) puts forward the following four major techniques for translating CBTs:
  1. Functional Equivalence: It means using a referent in the TL culture whose function is similar to that of the source language (SL) referent. As Harvey (2000:2) writes, authors are divided over the merits of this technique: Weston (1991:23) describes it as "the ideal method of translation," while Sarcevic (1985:131) asserts that it is "misleading and should be avoided."
  2. Formal Equivalence or 'linguistic equivalence': It means a 'word-for-word' translation.
  3. Transcription or 'borrowing' (i.e. reproducing or, where necessary, transliterating the original term): It stands at the far end of SL-oriented strategies. If the term is formally transparent or is explained in the context, it may be used alone. In other cases, particularly where no knowledge of the SL by the reader is presumed, transcription is accompanied by an explanation or a translator's note.
  4. Descriptive or self-explanatory translation: It uses generic terms (not CBTs) to convey the meaning. It is appropriate in a wide variety of contexts where formal equivalence is considered insufficiently clear. In a text aimed at a specialized reader, it can be helpful to add the original SL term to avoid ambiguity.
The following are the different translation procedures that Newmark (1988b) proposes:
  • Transference: it is the process of transferring an SL word to a TL text. It includes transliteration and is the same as what Harvey (2000:5) named "transcription."
  • Naturalization: it adapts the SL word first to the normal pronunciation, then to the normal morphology of the TL. (Newmark, 1988b:82)
  • Cultural equivalent: it means replacing a cultural word in the SL with a TL one. however, "they are not accurate" (Newmark, 1988b:83)
  • Functional equivalent: it requires the use of a culture-neutral word. (Newmark, 1988b:83)
  • Descriptive equivalent: in this procedure the meaning of the CBT is explained in several words. (Newmark, 1988b:83)
  • Componential analysis: it means "comparing an SL word with a TL word which has a similar meaning but is not an obvious one-to-one equivalent, by demonstrating first their common and then their differing sense components." (Newmark, 1988b:114)
  • Synonymy: it is a "near TL equivalent." Here economy trumps accuracy. (Newmark, 1988b:84)
  • Through-translation: it is the literal translation of common collocations, names of organizations and components of compounds. It can also be called: calque or loan translation. (Newmark, 1988b:84)
  • Shifts or transpositions: it involves a change in the grammar from SL to TL, for instance, (i) change from singular to plural, (ii) the change required when a specific SL structure does not exist in the TL, (iii) change of an SL verb to a TL word, change of an SL noun group to a TL noun and so forth. (Newmark, 1988b:86)
  • Modulation: it occurs when the translator reproduces the message of the original text in the TL text in conformity with the current norms of the TL, since the SL and the TL may appear dissimilar in terms of perspective. (Newmark, 1988b:88)
  • Recognized translation: it occurs when the translator "normally uses the official or the generally accepted translation of any institutional term." (Newmark, 1988b:89)
  • Compensation: it occurs when loss of meaning in one part of a sentence is compensated in another part. (Newmark, 1988b:90)
  • Paraphrase: in this procedure the meaning of the CBT is explained. Here the explanation is much more detailed than that of descriptive equivalent. (Newmark, 1988b:91)
  • Couplets: it occurs when the translator combines two different procedures. (Newmark, 1988b:91)
  • Notes: notes are additional information in a translation. (Newmark, 1988b:91)
Notes can appear in the form of 'footnotes.' Although some stylists consider a translation sprinkled with footnotes terrible with regard to appearance, nonetheless, their use can assist the TT readers to make better judgments of the ST contents. Nida (1964:237-39) advocates the use of footnotes to fulfill at least the two following functions: (i) to provide supplementary information, and (ii) to call attention to the original's discrepancies.
A really troublesome area in the field of translation appears to be the occurrence of allusions, which seem to be culture-specific portions of a SL. All kinds of allusions, especially cultural and historical allusions, bestow a specific density on the original language and need to be explicated in the translation to bring forth the richness of the SL text for the TL audience.
Appearing abundantly in literary translations, allusions, as Albakry (2004:3) points out, "are part of the prior cultural knowledge taken for granted by the author writing for a predominantly Moslem Arab [SL] audience. To give the closest approximation of the source language, therefore, it was necessary to opt for 'glossing' or using explanatory footnotes." However, somewhere else he claims that, "footnotes ... can be rather intrusive, and therefore, their uses were minimized as much as possible" (Albakry, 2004:4).

2.2. Strategies of translating allusions
Proper names, which are defined by Richards (1985:68) as "names of a particular person, place or thing" and are spelled "with a capital letter," play an essential role in a literary work. For instance let us consider personal PNs. They may refer to the setting, social status and nationality of characters, and really demand attention when rendered into a foreign language.
There are some models for rendering PNs in translations. One of these models is presented by Hervey and Higgins (1986) who believe that there exist two strategies for translating PNs. They point out: "either the name can be taken over unchanged from the ST to the TT, or it can be adopted to conform to the phonic/graphic conventions of the TL" (p.29).
Hervey and Higgins (1986) refer to the former as exotism which "is tantamount to literal translation, and involves no cultural transposition" (p.29), and the latter as transliteration. However, they propose another procedure or alternative, as they put it, namely cultural transplantation. Being considered as "the extreme degree of cultural transposition," cultural transplantation is considered to be a procedure in which "SL names are replaced by indigenous TL names that are not their literal equivalents, but have similar cultural connotations" (Hervey & Higgins, 1986:29).
Regarding the translation of PNs, Newmark (1988a:214) asserts that, "normally, people's first and sure names are transferred, thus preserving nationality and assuming that their names have no connotations in the text."
The procedure of transference cannot be asserted to be effective where connotations and implied meanings are significant. Indeed, there are some names in the Persian poet Sa'di's work Gulestan, which bear connotations and require a specific strategy for being translated. Newmark's (1988a:215) solution of the mentioned problem is as follows: "first translate the word that underlies the SL proper name into the TL, and then naturalize the translated word back into a new SL proper name." However, there is a shortcoming in the strategy in question. As it seems it is only useful for personal PNs, since as Newmark (1988a:215), ignoring the right of not educated readers to enjoy a translated text, states, it can be utilized merely "when the character's name is not yet current amongst an educated TL readership."
Leppihalme (1997:79) proposes another set of strategies for translating the proper name allusions:
  1. Retention of the name:
    1. using the name as such.
    2. using the name, adding some guidance.
    3. using the name, adding a detailed explanation, for instance, a footnote.
       
  2. Replacement of the name by another:
    1. replacing the name by another SL name.
    2. replacing the name by a TL name

 
  1. Omission of the name:
    1. omitting the name, but transferring the sense by other means, for instance by a common noun.
    2. omitting the name and the allusion together.
Moreover, nine strategies for the translation of key-phrase allusions are proposed by Leppihalme (1997: 82) as follows:
  1. Use of a standard translation,
  2. Minimum change, that is, a literal translation, without regard to connotative or contextual meaning,
  3. Extra allusive guidance added in the text,
  4. The use of footnotes, endnotes, translator's notes and other explicit explanations not supplied in the text but explicitly given as additional information,
  5. Stimulated familiarity or internal marking, that is, the addition of intra-allusive allusion ,
  6. Replacement by a TL item,
  7. Reduction of the allusion to sense by rephrasing,
  8. Re-creation, using a fusion of techniques: creative construction of a passage which hints at the connotations of the allusion or other special effects created by it,
  9. Omission of the allusion.

Conclusion
Although some stylists consider translation "sprinkled with footnotes" undesirable, their uses can assist the TT readers to make better judgment of the ST contents. In general, it seems that the procedures 'functional equivalent' and 'notes' would have a higher potential for conveying the concepts underlying the CSCs embedded in a text; moreover, it can be claimed that a combination of these strategies would result in a more accurate understanding of the CSCs than other procedures.
Various strategies opted for by translators in rendering allusions seem to play a crucial role in recognition and perception of connotations carried by them. If a novice translator renders a literary text without paying adequate attention to the allusions, the connotations are likely not to be transferred as a result of the translator's failure to acknowledge them. They will be entirely lost to the majority of the TL readers; consequently, the translation will be ineffective.
It seems necessary for an acceptable translation to produce the same (or at least similar) effects on the TT readers as those created by the original work on its readers. This paper may show that a translator does not appear to be successful in his challenging task of efficiently rendering the CSCs and PNs when he sacrifices, or at least minimizes, the effect of allusions in favor of preserving graphical or lexical forms of source language PNs. In other words, a competent translator is wll-advised not to deprive the TL reader of enjoying, or even recognizing, the allusions either in the name of fidelity or brevity.
It can be claimed that the best translation method seem to be the one which allows translator to utilize 'notes.' Furthermore, employing 'notes' in the translation, both as a translation strategy and a translation procedure, seems to be indispensable so that the foreign language readership could benefit from the text as much as the ST readers do.

References
Albakry, M. (2004). Linguistic and cultural issues in literary translation. Retrieved November 17, 2006 from http://accurapid.com/journal/29liter.htm
Bell, R. T. (1998). Psychological/cognitive approaches. In M. Baker (Ed), Routledge encyclopedia of translation studies. London & New York: Routledge.
Cohen, A.D. (1984). On taking tests: what the students report. Language testing, 11 (1). 70-81.
Culler, J. (1976). Structuralist poetics: structuralism, linguistics, and the study of literature. Cornell: Cornell University Press.
Graedler, A.L. (2000). Cultural shock. Retrieved December 6, 2006 from http://www.hf.uio.no/iba/nettkurs/translation/grammar/top7culture.html
Harvey, M. (2003). A beginner's course in legal translation: the case of culture-bound terms. Retrieved April 3, 2007 from http://www.tradulex.org/Actes2000/harvey.pdf
Hervey, S., & Higgins, I. (1992). Thinking Translation. London & New York: Routledge.
Jaaskelainen, R., (2005). Translation studies: what are they? Retrieved November 11, 2006 from http://www.hum.expertise.workshop.
Jaaskelainen, R., (1999). Tapping the process: an explorative study of cognitive and effective factors involved in translating. Joensuu: University of Joensuu Publications in Humanities.
Krings, H.P. (1986). Translation problems and translation strategies of advanced German learners of French. In J. House, & S. Blum-Kulka (Eds.), Interlingual and intercultural communication (pp. 263-75). Tubingen: Gunter Narr.
Leppihalme, R. (1997). Culture bumps: an empirical approach to the translation of allusions. Clevedon: Multilingual Matters.
Loescher, W. (1991). Translation performance, translation process and translation strategies. Tuebingen: Guten Narr.
Newmark, P. (1988a). A Textbook of Translation. Hertfordshire: Prentice Hall.
Newmark, P. (1988b). Approaches to Translation. Hertfordshire: Prentice Hall.
Newmark, P. (1991). About Translation: Multilingual Matters. Clevedon, Philadelphia, Adelaide: Multilingual Matters Ltd.
Nida, E. A. (1964). Towards a science of translation, with special reference to principles and procedures involved in Bible translating. Leiden: Brill.
Richards, et al (1985). Longman dictionary of applied linguistics. UK: Longman.
Seguinot, C. (1989). The translation process. Toronto: H.G. Publications.
Venuti, L. (1998). Strategies of translation. In M. Baker (Ed.), Encyclopedia of translation studies (pp. 240-244). London and New York: Routledge.
Zhongying, F. (1994). An applied theory of translation. Beijing: Foreign Languages Teaching & Research Press.